Bagore Ki Haveli is a haveli that sits gloriously on the waterfront of the surreal Lake Pichola at Gangori Ghat and is one of the most popular sites to visit in Udaipur. Bagore Ki Haveli was built in the 18th century by Amar Chand Badwa, the then Prime Minister of the Mewar dynasty, and has since been repaired and converted into a museum.
There are over a hundred rooms in the palace, each with a display of costumes and modern art. The internal glass and mirror are Haveli work. It also has a Mewar painting on the Queen’s Chamber walls. Glasswork can be seen in the two peacocks constructed from minute bits of colored glass.
Contact Details of Bagore Ki Haveli, Udaipur
Timings of Bagore Ki Haveli, Udaipur
|1.||9:30 a.m. to 5:30 p.m.||Everyday|
*Timings may vary on special occasions and festivals.
Entry Ticket for Bagore Ki Haveli, Udaipur
|3.||Foreign Child||Rs. 50|
|4.||Foreign Adult||Rs. 100|
Pricing for borrowing camera inside Bagore Ki Haveli, Udaipur
History of Bagore Ki Haveli
Bagore Ki Haveli was built by Shri Amarchand Badwa, who served as Prime Minister of Mewar throughout the reigns of Maharanas Pratap Singh II, Raj Singh II, Ari Singh, and Hamir Singh from 1751 to 1778. Following Amarchand Badwa’s death, the haveli passed into the hands of the Mewar royal family, becoming the home of Nath Singh, a relative of the Maharana at the time.
Maharaj Shakti Singh of Bagore enlarged the haveli in 1878 by creating the triple-arched gateway, and it has been known as Bagore ki Haveli since then. The haveli remained in the Mewar state’s ownership until 1947.
The Haveli was utilized by the Rajasthan government to house government personnel after India’s independence. The haveli had been neglected for nearly forty years when the government chose to pass over repair work to the West Zone Cultural Centre in 1986.
Restoration Work at Bagore Ki Haveli
The haveli was to be converted into a museum by the West Zone Cultural Centre. The original plan was for the projected museum to showcase the cultures of Maharashtra, Goa, Gujarat, and Rajasthan, all of which are West Zone states. However, because the Haveli was an architectural museum in and of itself due to its traditional and elegant architectural style, it was decided to keep it as a museum of Mewar’s aristocratic culture.
Experts and members of the Regal family were consulted in order to get the same royal look. Local and traditional skills and materials, such as lakhori bricks and lime mortar, were used to rebuild the Haveli. Many doors, windows, and perforated screens were restored or rebuilt, and several paintings painted in araish in the 18th and 19th centuries were discovered.
Architecture of Bagore ki Haveli
The Bagore ki Haveli, with its magnificent architecture and skilled craftsmanship, is a must-see for any art enthusiast. Bagore ki Haveli is a magnificent collection of enormous courtyards, balconies, jharokhas, ornamental archways, cupolas, and a fountain that reflects Mewar’s aristocratic culture.
There are 138 rooms in total, in addition to various corridors, balconies, courtyards, and terraces. The Haveli’s interiors are adorned with exquisite and excellent mirror work. You can witness the royal ladies private chambers, including their bathrooms, dressing rooms, bedrooms, living rooms, worship rooms, and entertainment rooms while strolling through the Haveli.
The Royal Ladies’ Chambers still include magnificent Mewari frescoes and glorious colored-glass windows in some of the rooms, as well as two peacocks built with colored glass mosaics that demonstrate the highest artisan skills.
Jewelry boxes, dice games, hukkas, pan boxes, nutcrackers, hand fans, rose water sprinklers, copper containers, and other Rajput emblems are on display.
The haveli lights up in the evening and hosts a fun performance of Rajasthani traditional dance and music. With sparkling lights at night, the haveli looks magnificent. Bagore Ki Haveli is an excellent place to learn about the royal family’s ancient buildings and lifestyle.
An Insight into the Bagore ki Haveli
As one approaches the Haveli’s gates, they are greeted by a lovely courtyard with a two-story Lotus fountain. Kuan Chowk, Neem Chowk, and Tulsi Chowk are the three chowks of Bagore ki Haveli.
The Kuan Chown, or Well Court, is located on the bottom floor of the Bagore ki Haveli and was once used to house stores and stables as well as the staff’s daily household responsibilities.
The Haveli’s Neem Chowk, on the first floor, is surrounded by elegant brass doors and served as a platform for royal men to watch music and dancing performances. Even today, the venue hosts a variety of performing arts performances.
Other restricted locations included the Kanch Mahal (mirrored hallway) and Durrie Khana, which were exclusively accessible to the royal family’s men. The Diwan-e-Khas was the Haveli’s largest chamber, and it is now home to the WZCC Director’s office.
Tulsi Chowk, on the other hand, was the princesses’ favorite hangout, complete with the zenana, or women’s quarters. Festival celebrations and Ghoomar performances by Haveli ladies took place in this Chowk.
The Chowk now has a lovely collection of turbans and women’s clothes on exhibit. Tulsi Chowk is home to a gallery that recalls Haveli’s glory days.
Shringar Kaksh, a dressing room used by the Haveli’s women, is also located in Bagore ki Haveli. It has a wooden trunk in which the princesses keep their belongings. This room also has Itra Daan, a perfume worn by royal women.
Women in the Haveli were also interested in music, and the Haveli’s Sangeet Kaksh was utilized by the royal women to learn music and play instruments such as the santoor, chang, dholak, nagada, and sarangi.
Manoranjan Kaksh was a popular hangout for males who enjoyed playing board games and displaying chaupad and ganjifa.
The Museum, Bagore Ki Haveli
The Puppet Museum, the Main Haveli, the Turban Museum, the Weapon Museum, and the Wedding Depiction Section are the five sections of the Bagore ki Haveli museum. Each of these parts is well maintained.
1. Puppet Museum
The Puppet Museum, which is popular among children, has a collection of puppets on display. Handmade tiny puppets and other decor items greet visitors at the museum’s entry.
A section of the chamber dedicated to the king’s courtroom set up in the form of puppets, with the king, queen, and several other ministers seated in their seats, can be found on one side of the room. The museum also has puppets of horses, elephants, and a variety of other animals in all sizes and shapes.
Puppets can also be purchased from the museum for a small fee. This puppet museum, which is an important element of Rajasthani tradition, is well worth a visit, especially if you’re traveling with children.
2. Haveli museum
A set of stairs leads to the terrace, which has a spectacular view of Lake Pichola. From the terrace, visitors can see other prominent monuments across the lake, including the Oberoi Udaivilas Palace Hotel, Taj Hotel, and City Palace.
As one walks through the Haveli, one will come across lobbies that lead to various rooms of the Haveli, including the royal lady’s private quarters, baths, dressing rooms, bedrooms, sitting rooms, worship rooms, and leisure rooms. The chambers are decorated in an antique style to depict how the royal family used to live.
The bedrooms are furnished with an ancient bed in the corner and the usual items seen in old bedrooms. A living room with carpets on the floor and gorgeous cushions, as well as dolls or puppets of people sitting around, is also present. A kitchen with earthen pots from the past can also be seen here.
A number of exquisite paintings depicting scenes from the royal past grace the lobby’s walls. Here you can view paintings of ladies doing home duties, enjoying nature at Lake Pichola, and kings preparing for battle. Another painting representing the Bagore ki Haveli dwellers’ familial structure can also be seen.
The museum houses items belonging to the Rajputs, such as kings’ attire, jewelry boxes, dice games, hookahs, and rosewater sprinklers.
The museum’s basement houses a diverse variety of skilled art work that draws people in. In addition, the museum houses the legendary Indra Viman, or Elephant Chariot, which once belonged to the rulers of Jhalawar.
Another recent addition to the museum is a thermocol replica of Bagore Ki Haveli, which stands alongside existing sculptures of the Eiffel Tower, Chittorgarh’s Victory Tower, the Taj Mahal, and Pisa’s Leaning Tower.
Another highlight is a lovely swing hanging from the roof in the first-floor lobby, which depicts how ancient ladies used to enjoy swinging here.
3. The Turban section
The Turban part of the Haveli is located on the ground level and features turbans from all across India, including Punjab, Haryana, Rajasthan, and Gujarat. One can see how people in other states wear their turbans, which are an important part of their culture.
Turbans in Punjab are made of plain cloths in various colors, whereas turbans in Rajasthan are more colorful and often made of tie-dye fabric. Gujrati turbans are similar to Rajasthani turbans in appearance but differ in color and size.
4. Weapons section
The museum’s weaponry part is a tiny section, located directly next to the entrance. It displays a variety of weaponry used by kings and their soldiers in combat.
5. The Wedding section
The wedding area, which is also a smaller piece of Bagore ki Haveli, represents several stages of an Indian wedding in the form of dolls or puppets.
This section provides an overview of the numerous rituals and customs observed in a traditional Indian wedding, from muhurat focus to wedding and post-wedding rites, and is both informative and entertaining.
Dharohar Dance Show at Bagore ki Haveli
The Dharohar Dance Show, which begins at 7 p.m. in the evenings, is the primary attraction at Bagore ki Haveli. This hour-long performance takes place in the Neem Chowk courtyard. The Haveli’s attractiveness is enhanced by the Neem Chowk’s magnificently lighted balconies, which serve as a venue for traditional Rajasthani folk dance and music.
On the floor around the stage, seating arrangements are established. To have an excellent perspective of the dance acts, the floor is set up with giant mattresses positioned around the three sides of the terrace.
The Dharohar Dance Show is extremely well-organized, beginning with a brief introduction by a Rajasthani woman dressed in traditional Rajasthani garb. The beating of a drum, the blowing of a conch shell, and the singing of a religious song precede the performances.
The program has well-choreographed dances backed up by musicians playing tabla and harmonium. The dancers wear traditional Rajasthani folk attire, including colorful ghagra cholis embellished with glasswork and embroidery.
The first dance performance is called Chari Dance, and it involves the performers balancing flaming brass pots on their heads.
The Terah Taal Dance, the next dance performance, necessitates great synchronization as the dancers play 13 manjiras (bells) strapped to their hands and legs to the beat of the music. They hold a dagger in their mouth, a set of brass pots on their head, and play manjiras all at the same time during the performance.
The Gorbandh Dance is the following performance, in which the dancers perform while donning camel jewelry and dancing with exuberance. This performance, which features women twirling at fast speeds while holding hands, is bound to bring back memories of their childhood.
The next act, which takes a break from the dancing performances, is the Rajasthani Puppet Show, which is aimed at the younger members of the audience. The puppets perform comedic skits that add to the show’s hilarity.
The Ghumar Dance, a high-class dance performance in which the dancers dance in rhythmic circles to the music, is the next in the sequence of performances.
The show’s closing act is the Bhavani dance, in which the dancer dances while wearing earthen pots on her head. This is the most challenging performance because the performer dances with two to thirteen pots on her head while performing other activities, such as stepping on shattered glass.
The Bagore ki Haveli’s Dharohar dance show is a colorful and vivid production that highlights Rajasthani folklore’s heritage and culture in an interesting way. The performers’ abilities and artistry are undoubtedly worth admiring and should not be missed by anyone visiting this lovely Haveli.
Timings of Dharohar Dance Show at Bagore Ki Haveli, Udaipur
|1.||7:00 p.m. to 8:00 p.m.||Everyday|
Tickets for the Dance show are available from 6:15 pm.
*Timings may vary on special occasions and festivals.
Entry Ticket for Dharohar Dance Show
|3.||Foreign Child||Rs. 75|
|4.||Foreign Adult||Rs. 150|
Pricing for borrowing camera in Dharohar Dance Show
Availability of Guides
At a minimal fee, guides are available on the grounds of Bagore ki Haveli to provide a full tour of the Haveli complex.
Best Time to visit
The winter months of September to March are considered the best months to visit Bagore ki Haveli since the weather is mild, with maximum temperatures hovering around 28.3°C.
To avoid the city’s excessive heat, it is best not to visit the Haveli during the summer.
How to Reach
Bagore ki Haveli is situated in Udaipur’s Old City, approximately 1.5 kilometers from the city center. Local buses, auto-rickshaws, and taxis serve the Haveli well.
The Haveli is also conveniently located near the airport and railway station. The nearest airport is Maharana Pratap Airport, which is 23.3 kilometers away, while the nearest railway station is Udaipur Railway Station, which is 2.4 kilometers away.
Udaipur is well connected to other cities, with a number of government-run and private buses running between the city and important cities.